This article needs additional citations for. Unsourced material may be challenged and removed. (December 2009) Forrest Gump: The Soundtrack by Various Artists Released June 28, 1994 (U.S.) Recorded 1952–1983, /, Length 96: 14, Forrest Gump: The Soundtrack is the album based on the - and -winning film, and contains music from many well-known artists. The score, composed by, was released separately (as ) on the same day. The album was reissued in 2001 with 2 additional tracks.
Contents. Charts The soundtrack jumped from #34 to #7 on the Billboard 200 albums chart on July 30, 1994. The next week on August 6, 1994, it moved from #7 to #3, staying there for one week. It reached its peak position of #2 on the charts on August 13, 1994, staying there for seven weeks until September 17, 1994, when it was displaced by the soundtrack of. The Forrest Gump soundtrack dropped from the charts on October 15, 1994. Chart positions Year Chart Position 1994 Australian Albums Chart 1 1995 End-of-decade charts Chart (1990–1999) Position U.S. Billboard 200 88 Sales and certifications Region Certification /Sales Australia 11× Platinum 770,000 ^ Austria ( Austria) Gold 25,000.
Brazil Gold 100,000. Canada Diamond 1,000,000 ^ France Gold 149,000 Poland Gold 50,000. Switzerland ( Switzerland) Gold 25,000 ^ United Kingdom Gold 100,000 ^ United States 12× Platinum 6,000,000 ^.sales figures based on certification alone ^shipments figures based on certification alone Preceded by by by Australian December 4–17, 1994 January 22–28, 1995 Succeeded by by by See also. References. Geoff Mayfield (December 25, 1999).
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(left) and on the film set in 1993. as: Though at an early age he is deemed to have a below average of 75, he has an endearing character and shows devotion to his loved ones and duties, character traits which bring him into many life-changing situations. Along the way, he encounters many historical figures and events throughout his life. Tom's younger brother is his acting double in the movie for the scenes when Forrest runs across America. Tom's daughter Elizabeth Hanks appears in the movie as the girl on the school bus who refuses to let young Forrest (Michael Conner Humphreys) sit next to her. Was the original choice to play the title role, and admits passing on the role was a mistake.
And were also considered for the role. Hanks revealed that he signed onto the film after an hour and a half of reading the script.
He initially wanted to ease Forrest's pronounced Southern accent, but was eventually persuaded by director to portray the heavy accent stressed in the novel. Hanks agreed to take the role only on the condition that the film was historically accurate. Michael Conner Humphreys portrayed the young Forrest Gump. Hanks revealed in interviews that after hearing Michael's unique accented drawl, he incorporated it into the older character's accent., who wrote the original novel, describes the film as having taken the 'rough edges' off of the character, and envisioned him being played. as Jenny Curran: Forrest's childhood friend with whom he immediately falls in love, and never stops loving throughout his life.
A victim of at the hands of her bitterly widowed father, Jenny embarks on a different path from Forrest, leading a self-destructive life and becoming part of the hippie movement in the 1960s and the 1970s/1980s drug culture. She re-enters Forrest's life at various times in adulthood. Jenny eventually becomes a waitress in Savannah, Georgia, where she lives in an apartment with her (and Forrest's) son, Forrest Jr. They eventually get married, but soon afterwards she dies of an unspecified illness caused by a kind of virus. Her illness is implied to be; however, is also a strong possibility as Forrest Sr. Was never portrayed as contracting any illness (and although either could have been passed to Forrest Jr.
Through childbirth, he too does not fall ill). However, the hepatitis C virus was not discovered until 1989 – long after Jenny's death. Portrayed the young Jenny. as Dan Taylor: Forrest and Bubba Blue's platoon leader during the Vietnam War, whose ancestors have died in every American war and who regards it as his destiny to do the same. After losing his legs in an ambush and being rescued against his will by Forrest, he is initially bitter and antagonistic towards Forrest for leaving him a 'cripple' and denying him his family's destiny, falling into a deep depression. He later serves as Forrest's first mate at the Bubba Gump Shrimp Company, gives most of the orders, becoming wealthy with Forrest, and regains his will to live. He ultimately forgives and thanks Forrest for saving his life.
By the end of the film, he is engaged to be married and is sporting 'magic legs' – which allow him to walk again. as Benjamin Buford 'Bubba' Blue: Bubba is Forrest's friend whom he meets upon joining the Army. Bubba was originally supposed to be the senior partner in the Bubba Gump Shrimp Company, but due to his death in Vietnam, their platoon leader, Dan Taylor, took his place. The company posthumously carried his name. Forrest and Dan later gave Bubba's mother Bubba's share of the business.
Throughout filming, Williamson wore a lip attachment to create Bubba's protruding lip., and were all offered the role but turned it down. Chappelle said he believed the film would be unsuccessful, and also acknowledged that he regrets not taking the role.
Gump: Forrest's devoted mother, who raises him after his father abandons them. Field reflected on the character, 'She's a woman who loves her son unconditionally. A lot of her dialogue sounds like slogans, and that's just what she intends.' . as Forrest Gump, Jr.: Forrest and Jenny's son.
Osment was cast in the film after the casting director had noticed him in a commercial. as: A house guest Forrest encounters. Although was uncredited, he provided the voice over for in the scene where Elvis meets Forrest. as himself: Cavett played the, with applied to make him appear younger. Consequently, Cavett is the only well-known figure in the film to play a rather than be represented through the use of like or President. as Principal Hancock: Forrest's elementary school principal.
as Wesley: A member of the group and Jenny's abusive boyfriend. as Dorothy Harris: The school bus driver who drives both Forrest, and later his son, to school. as Coach: Forrest's football coach at the University of Alabama., Conor Kennelly, and Teddy Lane Jr.
As the: Members of an organization that protests the Vietnam War, President, and anti-black racism. Jed Gillin as the voice of President Kennedy, whom Forrest meets in the White House Oval Office. Michael Conner Humphreys - Young Forrest Production Script. 'The writer, Eric Roth, departed substantially from the book. We flipped the two elements of the book, making the love story primary and the fantastic adventures secondary.
Also, the book was cynical and colder than the movie. In the movie, Gump is a completely decent character, always true to his word.
He has no agenda and no opinion about anything except Jenny, his mother and God.' —director The film is based on the 1986. Both center on the character of Forrest Gump. However, the film primarily focuses on the first eleven chapters of the novel, before skipping ahead to the end of the novel with the founding of Bubba Gump Shrimp Co.
And the meeting with Forrest, Jr. In addition to skipping some parts of the novel, the film adds several aspects to Gump's life that do not occur in the novel, such as his needing leg braces as a child and his run across the United States. Gump's core character and personality are also changed from the novel; among other things his film character is less of an —in the novel, while playing football at the university, he fails craft and gym, but receives a perfect score in an advanced physics class he is enrolled in by his coach to satisfy his college requirements. The novel also features Gump as an, a, and a player. Two directors were offered the opportunity to direct the film before Robert Zemeckis was selected. Turned down the offer.
Was attached to the film, but left to direct. The shrimping boat Jenny used in the film. Filming began in August 1993 and ended in December of that year.
Although most of the film is set in Alabama, filming took place mainly in and around, as well as parts of coastal Virginia and North Carolina, including a running shot on the. Downtown portions of the fictional town of Greenbow were filmed in. The scene of Forrest running through Vietnam while under fire was filmed on. Additional filming took place on the in, and along the Blue Ridge Parkway near. The most notable place was where a part of the road is named 'Forrest Gump Curve'.
The Gump family home set was built along the near, and the nearby land was used to film Curran's home as well as some of the Vietnam scenes. Over 20 trees were planted to improve the Vietnam scenes. Forrest Gump narrated his life's story in in as he sat at a bus stop bench. There were other scenes filmed in and around the Savannah area as well, including a running shot on the in Beaufort while he was being interviewed by the press, and on West Bay Street in Savannah. Most of the college campus scenes were filmed in at the.
The lighthouse that Forrest runs across to reach the Atlantic Ocean the first time is the in. Additional scenes were filmed in Arizona, Utah's, and Montana's. Visual effects. Gump with President. A variety of visual effects were used to incorporate Tom Hanks into archive footage with various historical figures and events.
Ken Ralston and his team at were responsible for the film's visual effects. Using techniques, it was possible to depict Gump meeting deceased personages and shaking their hands. Hanks was first shot against a along with reference markers so that he could line up with the archive footage.
To record the voices of the historical figures, voice actors were filmed and special effects were used to alter for the new dialogue. Archival footage was used and with the help of such techniques as, and, Hanks was integrated into it. In one Vietnam War scene, Gump carries Bubba away from an incoming attack.
To create the effect, were initially used for purposes. Then, Hanks and Williamson were filmed, with Williamson supported by a cable wire as Hanks ran with him.
The explosion was then filmed, and the actors were digitally added to appear just in front of the explosions. The jet fighters and napalm canisters were also added by CGI. The CGI removal of actor 's legs, after his character had them amputated, was achieved by wrapping his legs with a blue fabric, which later facilitated the work of the 'roto-paint' team to paint out his legs from every single frame. At one point, while hoisting himself into his, his legs are used for support.
The scene where Forrest spots Jenny at a at the and in Washington, D.C., required visual effects to create the large crowd of people. Over two days of filming, approximately 1,500 were used. At each successive take, the extras were rearranged and moved into a different away from the camera. With the help of computers, the extras were multiplied to create a crowd of several hundred thousand people. Release Critical reception The film received generally positive reviews. The review aggregator website reported that 72% of critics gave the film a positive review, with an average rating of 7.2/10, based on a sample of 85 reviews. At the website, the film earned a rating of 82/100 based on 19 reviews by mainstream critics.
Reported that audiences gave the film a rare 'A+' grade. The story was commended by several critics. Of the wrote, 'I've never met anyone like Forrest Gump in a movie before, and for that matter I've never seen a movie quite like 'Forrest Gump.'
Forrest Gump Script Pdf
Any attempt to describe him will risk making the movie seem more conventional than it is, but let me try. It's a comedy, I guess.
Or maybe a drama. The screenplay by has the complexity of modern fiction.The performance is a breathtaking balancing act between comedy and sadness, in a story rich in big laughs and quiet truths.What a magical movie.' Todd McCarthy of wrote that the film 'has been very well worked out on all levels, and manages the difficult feat of being an intimate, even delicate tale played with an appealingly light touch against an epic backdrop.'
The film did receive notable pans from several major reviewers. Of called the film 'Warm, wise, and wearisome as hell.' Of said that the film 'reduces the tumult of the last few decades to a virtual-reality theme park: a baby-boomer version of.' Critics have compared Gump with various characters and people including, and. Peter Chomo writes that Gump acts as a 'social mediator and as an agent of redemption in divided times'.
Of called Gump 'everything we admire in the American character – honest, brave, and loyal with a heart of gold.' Reviewer Janet Maslin called Gump a 'hollow man' who is 'self-congratulatory in his blissful ignorance, warmly embraced as the embodiment of absolutely nothing.'
Marc Vincenti of called the character 'a pitiful stooge taking the pie of life in the face, thoughtfully licking his fingers.' Bruce Kawin and 's textbook on film history notes that Forrest Gump's dimness was a metaphor for glamorized nostalgia in that he represented a blank slate by which the projected their memories of those events. The film is commonly seen as a polarizing one for audiences, with writing in 2004, 'Nearly a decade after it earned gazillions and swept the Oscars, 's ode to 20th-century America still represents one of cinema's most clearly drawn lines in the sand. One half of folks see it as an artificial piece of pop melodrama, while everyone else raves that it's sweet as a box of chocolates.' Box office performance Produced on a budget of $55 million, Forrest Gump opened in 1,595 theaters in its first weekend of domestic release, earning $24,450,602.
Motion picture business consultant and screenwriter Jeffrey Hilton suggested to producer to double the P&A (film marketing budget) based on his viewing of an early print of the film. The budget was immediately increased, per his advice. The film placed first in the weekend's box office, narrowly beating, which was in its fourth week of release.
For the first ten weeks of its release, the film held the number one position at the box office. The film remained in theaters for 42 weeks, earning $329.7 million in the United States and Canada, making it the fourth-highest-grossing film at that time (behind only, and ). Estimates that the film sold over 78.5 million tickets in the US in its initial theatrical run. The film took 66 days to surpass $250 million and was the fastest grossing Paramount film to pass $100 million, $200 million, and $300 million in box office receipts (at the time of its release). The film had gross receipts of $329,694,499 in the U.S.
And Canada and $347,693,217 in international markets for a total of $677,387,716 worldwide. Even with such revenue, the film was known as a 'successful failure'—due to distributors' and exhibitors' high fees, Paramount's 'losses' clocked in at $62 million, leaving executives realizing the necessity of better deals.
This has, however, also been associated with, where expenses are inflated in order to minimize profit sharing. It is Robert Zemeckis' highest-grossing film to date.
Home media Forrest Gump was first released on tape on April 27, 1995, as a two-disc set on April 28, 1995, (including the 'Through the Eyes of Forrest' special feature), before being released in a two-disc set on August 28, 2001. Special features included director and producer commentaries, production featurettes, and screen tests. The film was released on disc in November 2009. Main article: Forrest Gump won, and at the. The film was nominated for seven, winning three of them:, and. The film was also nominated for six and won two for and.
In addition to the film's multiple awards and nominations, it has also been recognized by the on several of its lists. The film ranks 37th on, 71st on, and 76th on. In addition, the quote 'Mama always said life was like a box of chocolates.
You never know what you're gonna get,' was ranked 40th on. The film also ranked at number 240 on 's list of the 500 Greatest Movies of All Time. In December 2011, Forrest Gump was selected for preservation in the '.
The Registry said that the film was 'honored for its technological innovations (the digital insertion of Gump seamlessly into vintage archival ), its resonance within the culture that has elevated Gump (and what he represents in terms of American innocence) to the status of folk hero, and its attempt to engage both playfully and seriously with contentious aspects of the era's traumatic history.' Lists. – #71. – Nominated. – Nominated.:. Forrest Gump – Nominated Hero.:. 'Mama always said life was like a box of chocolates.
You never know what you're gonna get.' – #40. 'Mama says, 'Stupid is as stupid does.' ' – Nominated. – Nominated. – #37. – #76.
– Nominated Epic Film Author controversy was paid $350,000 for the screenplay rights to his novel and was contracted for a 3 percent share of the film's net profits. However, Paramount and the film's producers did not pay him, using to posit that the blockbuster film lost money.
Forrest Gump Suite
Tom Hanks, by contrast, contracted for the film's gross receipts instead of a salary, and he and director Zemeckis each received $40 million. Additionally, Groom was not mentioned once in any of the film's six Oscar-winner speeches. Groom's dispute with Paramount was later effectively resolved after Groom declared he was satisfied with Paramount's explanation of their accounting, this coinciding with Groom receiving a seven-figure contract with Paramount for film rights to another of his books, Gump & Co. Symbolism Feather. 'I don't want to sound like a bad version of 'the child within'. But the childlike innocence of Forrest Gump is what we all once had. It's an emotional journey.
You laugh and cry. It does what movies are supposed to do: make you feel alive.' —producer Various interpretations have been suggested for the feather present at the opening and conclusion of the film. Sarah Lyall of The New York Times noted several suggestions made about the feather: 'Does the white feather symbolize? Forrest Gump's impaired intellect? The randomness of experience?' Hanks interpreted the feather as: 'Our destiny is only defined by how we deal with the chance elements to our life and that's kind of the embodiment of the feather as it comes in.
Here is this thing that can land anywhere and that it lands at your feet. It has theological implications that are really huge.'
Sally Field compared the feather to fate, saying: 'It blows in the wind and just touches down here or there. Was it planned or was it just perchance?' Visual effects supervisor Ken Ralston compared the feather to an abstract painting: 'It can mean so many things to so many different people.' Political interpretations In Tom Hanks' words, 'The film is non-political and thus non-judgmental.'
Nevertheless, in 1994, CNN's debated whether the film promoted conservative values or was an indictment of the movement of the 1960s. Thomas Byers, in a Modern Fiction Studies article, called the film 'an aggressively conservative film'. '.all over the political map, people have been calling Forrest their own. But, Forrest Gump isn't about politics or conservative values. It's about humanity, it's about respect, tolerance and unconditional love.'
—producer It has been noted that while Gump follows a very conservative lifestyle, Jenny's life is full of countercultural embrace, complete with drug usage, promiscuity, and antiwar rallies, and that their eventual marriage might be a kind of reconciliation. Jennifer Hyland Wang argued in a Cinema Journal article that Jenny's death to an unnamed virus '.symbolizes the death of liberal America and the death of the protests that defined a decade 1960s.' She also notes the film's screenwriter, when developing the screenplay from the novel, had '.transferred all of Gump's flaws and most of the excesses committed by Americans in the 1960s and 1970s to her Jenny.'
Other commentators believe the film forecast the 1994 and used the image of Forrest Gump to promote movement leader 's traditional, conservative values. Jennifer Hyland Wang observes the film idealizes the 1950s, as made evident by the lack of 'whites only' signs in Gump's southern childhood, and 'revisions' the 1960s as a period of social conflict and confusion. She argues this sharp contrast between the decades criticizes the counterculture values and reaffirms conservatism. As viewed by political scientist Joe Paskett, this film is 'one of the best films of all time'.
Wang argued the film was used by Republican politicians to illustrate a 'traditional version of recent history' to gear voters towards their ideology for the congressional elections. In addition, presidential candidate cited the film's message in influencing his campaign due to its '.message that has made the film one of Hollywood's all-time greatest box office hits: no matter how great the adversity, the American Dream is within everybody's reach.' In 1995, included Forrest Gump in its list of the 'Best 100 Conservative Movies' of all time. Then, in 2009, the magazine ranked the film number four on its 25 Best Conservative Movies of the Last 25 Years list.
'Tom Hanks plays the title character, an amiable dunce who is far too smart to embrace the lethal values of the 1960s. The love of his life, wonderfully played by Robin Wright Penn, chooses a different path; she becomes a drug-addled hippie, with disastrous results.' James Burton, a communication arts professor at, argued that conservatives claimed Forrest Gump as their own due less to the content of the film and more to the historical and cultural context of 1994. Burton claimed the film's content and advertising campaign were affected by the cultural climate of the 1990s, which emphasized family values and 'American values'—values epitomized in the successful book Hollywood vs. He claimed this climate influenced the apolitical nature of the film, which allowed for many different political interpretations. Burton points out that many conservative critics and magazines (John Simon, James Bowman, the World Report) initially either criticized the film or praised it only for its non-political elements.
Only after the popularity of the film was well-established did conservatives embrace the film as an affirmation of traditional values. Burton implies the liberal-left could have prevented the conservatives from claiming rights to the film, had it chosen to vocalize elements of the film such as its criticism of military values.
Instead, the liberal-left focused on what the film omitted, such as the feminist and civil rights movements. Some commentators see the conservative readings of Forrest Gump as indicants of the death of irony in American culture. Vivian Sobchack notes that the film's humor and irony relies on the assumption of the audience's historical (self-) consciousness. Main articles: and The 32-song soundtrack from the film was released on July 6, 1994.
With the exception of a lengthy suite from 's score, all the songs are previously released; the soundtrack includes songs from, and among others. Music producer Joel Sill reflected on compiling the soundtrack: 'We wanted to have very recognizable material that would pinpoint time periods, yet we didn't want to interfere with what was happening cinematically.' The two-disc album has a variety of music from the 1950s–1980s performed by American artists. According to Sills, this was due to Zemeckis' request, 'All the material in there is American. Bob (Zemeckis) felt strongly about it.
He felt that Forrest wouldn't buy anything but American.' The soundtrack reached a peak of number 2 on the. The soundtrack went on to sell twelve million copies, and is one of the top selling albums in the United States. The for the film was composed and conducted by and released on August 2, 1994. Proposed sequel. Main article: The screenplay for the sequel was written by in 2001.
It is based on the original novel's sequel, written by Winston Groom in 1995. Roth's script begins with Forrest sitting on a bench waiting for his son to return from school. After the, Roth, Zemeckis, and Hanks decided the story was no longer 'relevant.' In March 2007, however, it was reported Paramount producers took another look at the screenplay. On the very first page of the sequel novel, Forrest Gump tells readers 'Don't never let nobody make a movie of your life's story,' though 'Whether they get it right or wrong, it doesn't matter.' The first chapter of the book suggests the real-life events surrounding the film have been incorporated into Forrest's storyline, and that Forrest got a lot of media attention as a result of the film. During the course of the sequel novel, Gump runs into Tom Hanks and at the end of the novel in the film's release, including Gump going on and attending the.
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